Wednesday, 2 May 2012

The Bartender's Guide to Absinthe


Whenever I get the chance to talk with others about absinthe, then I'll accept the offer, start right away, and it's almost impossible to stop me. It's the part of the "job" (if you can call it a "job") that I like best. It beats selling, it beats paperwork and it certainly beats all those pesky tax returns!

However, one day I may have to face up to the fact that I cannot talk about absinthe with everyone who's interested in it in all of the 25 countries currently selling La Clandestine. And that's not even factoring in my language skills (or lack of). And that is why it's so important that I talk as much as I can with those in the front line for absinthe: bartenders and shop staff.

So today's article is for some of them, and at the risk of offending the shop staff, especially in liquor stores, off-licences, cavistes etc. I'll focus this time on bartenders. Using the term to include bartenders, wait staff, sommeliers, managers and owners and to include staff in bars, clubs, restaurants and hotels. If I say "he," it means "he" or "she" or "they."

Preamble over ... what do bartenders need to know? And what do they need to do to be able to make the most of the absinthe selling opportunity?

1. KNOW THE PRODUCT(S), INCLUDING TOPLINE INFORMATION ON HOW ABSINTHE IS MADE AND WHAT'S IN IT, AND EVEN MORE INFORMATION ON THE CATEGORY'S HISTORY


No need to be too scientific about this: the Wikipedia article is fine.

Distilled absinthe

Distilled absinthe employs a method of production not unlike high quality gin. Botanicals are initially macerated in distilled base alcohol before being redistilled to exclude bitter principles, and impart the desired complexity and texture to the spirit.

The distillation of absinthe first yields a colourless distillate that leaves the alembic at around 72 % ABV. The distillate may be reduced and bottled clear, to produce a Blanche or la Bleue absinthe, or it may be coloured to create a verte using natural or artificial colouring. Traditional absinthes obtain their green colour strictly from the chlorophyll of whole herbs, which is extracted from the plants during the secondary maceration. This step involves steeping plants such as petite wormwood, hyssop, and melissa (among other herbs) in the distillate. Chlorophyll from these herbs is extracted in the process, giving the drink its famous green colour.


The history of absinthe is fascinating and is a key part of why consumers - your customers - are interested to find out about absinthe. You can buy the Absinthe Encyclopedia, read Barnaby Conrad's Absinthe: History in a Bottle shown above, watch the film "Absinthe," or, the best value option (said modestly), even get me along to talk about it. I have addressed the history side of absinthe (along with a few issues resulting from that) in my 10 key facts series on this blog, and that's a big part of what I share with people I meet.

So why is the history so interesting, even more relevant than knowing what's in absinthe? Put simply, and using the words of a former boss of mine: "Sell the sizzle, not the sausage." Your customers are much more interested in everything around absinthe (including the myths and half-truths which you can correct) than knowing every last detail of what's in it.

2. CHOOSE YOUR ABSINTHES WITH CARE

If your bar or restaurant sells a range of single malts, XO Cognac, some 100% blue agave tequilas, and some craft spirits, you can probably consider a range of absinthes to complement the rest of your list. Top bars, especially in Europe, may not always want to carry the absinthe(s) that can be found in every local shop, and with the wide range of absinthes available nowadays you can choose a range that suits your bar, your needs, and your customers' expectations.

As a bare minimum, carry a verte and a blanche. Some customers expect the green fairy to be green or at least "greenish;" others will probably find a good "blanche" to be a softer introduction to absinthe while many bartenders find blanches to be more versatile in a wider range of cocktails (It's not just me saying that: the famous Bariana Guide - the first French cocktail book - recommends blanches over vertes in several of its cocktails).

Develop and segment your absinthe list, either by country or by colour. A country split allows you to tell some of the history about Swiss origins and how Swiss moonshiners kept absinthe alive during the ban; and about French development, the green hour, the artists and the ban. And in some countries such as the USA, you can use a country split to tell the story of a locally made absinthe or two.

Select a range of tastes, from herbaceous to floral, from slightly more bitter to slightly sweeter.

If you only have 3 absinthes, make sure you can explain the differences to your customers. If you stock more than 20 absinthes ... make sure you can explain the differences to your customers!

Absinthes should be a good revenue earner for bars, so it normally makes sense to stock premium quality absinthes, rather than trying to save a few dollars per bottle. Absinthe lovers are loyal to the category, and loyal to the brands they love, so bars can use that to make customers loyal to them too. Absinthe lovers are big spenders, whether buying a traditional serve absinthe or absinthe in a cocktail, so keep them loyal!

3. SERVE ABSINTHE IN UP TO THREE DIFFERENT WAYS: THE PERFECT POUR (Traditional fountain, dripper, carafe method), IN CLASSIC COCKTAILS, AND IN MODERN MIXES.

To repeat that ..

PERFECT POUR
CLASSIC COCKTAILS
MODERN MIXES


The Perfect Pour, serving absinthe the traditional way via a fountain, dripper or carafe, is what your customers who are discovering absinthe want to see. Troy Clarke from the Royal Sonesta, Boston, home of the ArtBar, confirms that the correct serving of absinthe is a key element. The ritual of the absinthe serve conveys all the history in an eye-catching way that will attract other customers in the bar to absinthe. Fountains and drippers are part of that, but what really intrigues customers is watching the "louche," the way the absinthe turns cloudy when chilled water is added slowly.

A carafe or a jug (provided it can be used to do a slow pour) can work just as well as a fountain (with less risk of breakage), and ideally your customer should be allowed to add the water himself. Recommend they pour it as slowly as possible, adding too little water to start with (2 - 3 parts of water with a 53% blanche, 3 - 4 parts of water with a 65% verte) on the basis that it's easier to add more water, than to take it out! After the first addition of water, they should taste and add more water to find what works for them. Like tea or coffee, we all have different preferences.

Sugar and spoon? They are fun, maybe, but after 8 years tasting lots of absinthes, I've come to the conclusion that most good absinthes don't need sugar, and that sugar is mainly required to paper over the cracks of less good absinthes. Again, that may be more a reflection of my own tastes, but it is generally accepted that the better blanches in particular really don't need sugar (and the same goes for Butterfly).

Classic Cocktails with absinthe, almost all of which are listed here, are a must. One day, a bar will produce a printed cocktail menu offering all 104 cocktails containing absinthe from the 1930 Savoy Hotel Cocktail book (that's a challenge!), but in the meantime, make sure you can offer some of the basics, including

the Sazerac, the Corpse Reviver # 2, the Absinthe Frappée, as well as the slightly more modern
Death in the Afternoon (I am sure good bartenders will be able to work on a much longer list than these basic classics). I also like to see how some bartenders introduce their own personal twist to the classics.

Modern mixes, using ingredients that were rare or even non-existent in the classic cocktail era. Using methods that come from other countries. Using molecular mixology. Drinks such as the Absinthe Mojito. And the Absinthe Caipirinha ... or as I like to call it the Clandestino.


Modern mixes may be how you can make a powerful statement as to what your bar is. They don't have to be over-complicated, and may just capitalise on, for example, the fruit bases that are available nowadays. We have found that some bars love to work with Butterfly Absinthe, because the citrus/mint elements work really well in modern fruit-focused cocktails.

And here is a great way to communicate exactly that three way split of how to offer absinthe from the Onxy Lounge, LA.



4. HANDLING CUSTOMERS WHO KNOW "BETTER"


An interesting topic, raised in the comments by Evan Camomile, another absinthe blogger. As he writes: "One thing every bartender will have to deal with is the customer who erroneously "knows better" and wants absinthe lit on fire or served in a shot." I guess you can add to that list the customer who wants to know the thujone content of an absinthe, and insists that this will influence his/her buying decision. There is a school of thought that says "the customer is always right," but in this instance I feel that a bartender will gain business for his bar in the long run by gently trying to persuade the customer of the error of his ways.

As far as a request for fire is concerned, a bartender could respond "We have a Health and Safety policy of not setting fire to any drinks in our bar, and in any case we believe that a burnt caramel taste does not improve good absinthes. Can we suggest you try absinthe the classic way as it was drunk in the 19th century or in a cocktail?"

Shots? "Absinthe was never made to be drunk as a shot: adding chilled water will give you a drink that will last three or four times as long, and one that almost all of our customers seem to prefer. Could we divide your drink between two glasses, add some chilled water to the second glass and ask you to compare the two different experiences for yourself?"

Thujone? "We do not know the thujone levels of the absinthes we have, and all the research we have done on this suggests it is not really relevant. All our absinthes are within the legal limit, and it really makes no difference to the drink what level it is. You'd have to drink several bottles of absinthe very quickly to get any so-called "absinthe effect," and we'd prefer you not to do that, for your health as much as anything!"

Any other difficult questions from "know it all" customers?

5. FURTHER STUDY!


Absinthe is a relatively new category in most markets, and therefore it presents a great opportunity for progressive bars to be innovative. Here are some ideas for how to capitalise on absinthe in your bar.

Ask an Absinthe Ambassador to run an Absinthe Masterclass in your bar, both for bar staff and for consumers (best run separately). Here is the email address of one Absinthe Ambassador: alanATlaclandestineDOTcom

Run an Absinthe Dinner/Food Pairing event. I've run these in Europe and in Asia, and they can be very effective at shaking up preconceptions of absinthe. The herbal make-up of absinthe probably works better with food than many other spirits.

Serve Absinthe Flights, allowing your customers to sample 3 very different styles. A flight of 3 Vertes from France, Switzerland and the USA. Or of 3 blanches from different countries. Or 3 absinthes from one country. Or a flight of very small batch absinthes from different States/countries. And so on. This seems to be an excellent opportunity to attract consumers to your bar (assuming you're the first to do this in your area) and it's great for customers too.

Apparently, "absinthe makes the heart grow fonder," so celebrate Valentine's Day, host wedding parties etc ... using absinthe.

The whole history of absinthe provides many date-related events to use. The day it was banned, the day it was re-legalised, Van Gogh's birthday, etc etc. The opportunities for promotion are almost limitless.

And I'm sure I'm only scratching the surface here. Let me know if you have any ideas too.

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In just a few paragraphs, I cannot claim to provide absolutely everything that a bartender needs to help him use and serve absinthe. Absinthe also needs passion, interest and even love ... and not every bartender will love absinthe. That's precisely the opportunity for those who do love absinthe .. to allow your passion to shine through, and to enthuse your customers. I hope to meet many more of you over the months and years ahead, in North America, in Europe and in Asia. Please feel free to contact me for help, and with any questions. And until we meet face-to-face ... Santé!

Tuesday, 13 March 2012

Absinthe co-operation


I think that Blues Cat, whose label has just been approved for US launch, is the 78th absinthe to get that permission. Not that it is possible to find more than about 40 of those anywhere currently.

What I like about Blues Cat is that it represents a co-operation between 4 absinthe artists, who all appear on the back label.

I think co-operation like this is great: pooling strengths and working on a shared goal can often produce something that is more than the sum of its parts. Wine has seen great collaborations like this (notably Opus One), and absinthe has seen some transatlantic partnerships too. Notably the first Marteau was a collaboration between America's Gwydion Stone and Switzerland's Oliver Matter, and more recently Butterfly is a collaboration between America's Brian Fernald and Switzerland's Claude-Alain Bugnon. Even more recently, Stefano Rossoni and Martin Zufanek worked together on La Grenouille and L'Ancienne.

Cheers to the creators of Blues Cat: Cheryl, Eric, Kirk and Kenneth. I look forward to trying this soon!

Thursday, 1 March 2012

Absinthe Days

Dates are strange things: they can take on a significance because of an event that happened years ago, but can also mark a more modern event. Today, for example, is St. David's day in Wales, a long-standing event of course, and is also the more modern World Book Day. Which is why my daughter dressed as Artemis to go to school. I wonder if she knows about Artemis and Artemisia (the name for the wormwood family of plants)?

There are also two absinthe days that are celebrated around this time.

March 5th has been declared National Absinthe Day in the USA, by Viridian Spirits, the owners of Lucid. March 5th, 2007 was the date when the Lucid label was approved by the TTB, although the recipe had been approved several months earlier.

As far as France (one of the world's major centres of absinthe production) is concerned, there does not yet seem to be a similar date, and certainly no similar events. Apart from maybe the Pontarlier Absinthiades which is not a fixed date and moves from year to year.

Switzerland, however, and especially in the Val-de-Travers region, also celebrates its own absinthe day, on March 1st. March 1st, 2005, was the date when absinthe production and sale was finally re-legalised in Switzerland. In fact, March 1st is a public holiday in the region where most Swiss absinthes are made, although to be honest, the holiday marks the date in 1848 when Neuchatel gained independence from Berlin and Prussia. So while this area of Switzerland celebrates a holiday on the same day that absinthe was legalised here, I cannot claim that the holiday is just for absinthe. I think it likely, however, that a few glasses of absinthe will be enjoyed there today.


The fact that there are "absinthe days" in both Switzerland and the USA leads me onto some related points about these two countries.

Firstly, Switzerland, in re-legalising absinthe, became the only country to lay down specific standards about the absinthes that can be made and/or sold in Switzerland. They have to be distilled and they cannot contain any artificial colouring.

Secondly, the USA, in re-legalising absinthe, became the only country to lay down specific standards about the way absinthes can be marketed, in particular stating "the term “absinthe” cannot be the brand name; the term “absinthe” cannot stand alone on the label; and the artwork and/or graphics cannot project images of hallucinogenic, psychotropic or mind-altering effects." In other words, ruling out some of the more sensational and misleading approaches to absinthe marketing that have plagued other countries.

Between Switzerland and the USA, then, standards for product and for marketing have been established; standards that will hopefully start to be adopted elsewhere. So it's a good idea to celebrate both today (the Swiss absinthe day) and next Monday (the US absinthe day). I was delighted, therefore, to see a New York bar using the US national absinthe day to promote a range of Swiss absinthe cocktails. I may just try this one later on today ...

The Edgar Degas cocktail: La Clandestine Absinthe, Kaluha, Grand Marnier, espresso

Cheers! Santé!

Wednesday, 25 January 2012

"Burns Night" or "No burns Night?"


Today is the birthday of the great Scottish poet, Robert Burns, and is the time when Scots around the world, including many living outside Scotland, celebrate "Burns Night." Tonight abundant quantities of haggis, tatties and neeps will be eaten, "washed down" (as Wikipedia puts it) with a few drams of Scotch.

As an Englishman who has sold a few bottles of finest Scotch in his career (including Famous Grouse, The Macallan, Highland Park, Black Bottle etc), I have mixed feelings about the current move towards a vote on Scottish independence. But I am a great fan of Burns Night.

Now, however, I am someone selling a few cases of finest absinthe around the world, and who hates the idea that anyone should try to set fire to absinthe. Something I still see from time to time. although thankfully more often with lower quality absinthes that, arguably, deserve nothing less! So I want to mark Burns Night by declaring that henceforth this night - and hopefully all other nights - shall be "No burns Night" for absinthe (note the small "b" please; there's no anti-Scottish sentiment here). It's time to stop, for once and for all, scenes like this:



"No burns Night" is, of course, more a manifesto of future intent, since we cannot stop all absinthe burning immediately. But to help absinthe drinkers around the world tonight, I wanted to publish a very short list of some of the best bars where they carry a good range of quality absinthes, which they don't burn and hopefully never will. It's just one or two bars in ten or so countries around the world, and I'll be pleased to add the names of any bars that should be included in this list. Please add details in the comments, and I'll post into the main list.

SOME BARS AROUND THE WORLD WHERE THEY DON'T BURN ABSINTHE

ENGLAND

Brompton Bar and Grill, London
Nightjar, London
Purl, London

SCOTLAND (not yet a separate country, but listed separately here in honour of Robert Burns!)

Bond No. 9, Edinburgh

USA

Maison Premiere, New York
PDT, New York
Chinatown Coffee, Washington DC

CANADA

Clive's Classic, Victoria, BC
Dieu du Ciel, Montreal

AUSTRALIA

Absinthe Salon, Sydney

JAPAN

Bar Tram, Tokyo

HONG KONG

Blck Brd

MALAYSIA

Sky Bar, KL

SWITZERLAND

Absinthe Bar, Fleurier along with probably every single bar in the Val-de-Travers!
Grune Fee, Solothurn

FRANCE

Antibes Absinthe Bar

CZECH REPUBLIC

Hemingway, Prague

GERMANY

La Petite Absintherie, Leipzig
Sixtina, Leipzig


Sadly, Burns died in 1796, just one or two years before the first commercial absinthe distillery was established in Couvet, Switzerland, so he probably never had the chance to taste absinthe. But to him, and to those responsible for the bars listed above, and to all the other non-burning bars too many to name (hopefully an ever-growing list) ... Slàinte! Santé! Cheers!

Friday, 9 December 2011

Absinthe's bright (but not artificially bright) future?

Hidden away in a prospectus for a report on the Global Absinthe Market, I came across the following quote:

Pernod Absinthe international director Jean-François Collobert says: “Although we did have an absinthe-like product on the market [before the lifting of the French ban], we weren't comfortable marketing a product that was not exactly authentic absinthe. Since the restrictions were lifted in France in 2011 we decided to accelerate the redevelopment of our absinthe brand both in terms of the product itself, but also in terms of geographic expansion.

It's a very surprising announcement to make ... I have already seen it described as a confession. So what does it actually mean? And what are the implications for the absinthe category?

Firstly there does not yet seem to be a new Pernod Absinthe on the market, although there has already been one new label design approved by the TTB in 2011. Here are the labels approved in 2009:


and here are the labels approved in 2011:




There is no evidence of a product recipe change here, and the only major alteration comes in the first paragraph of the back label (from Pernod opening the "first absinthe distillery" in 1805 on the old label to opening the "first French absinthe distillery" in 1805 on the new label). So if the promised product "redevelopment" has not yet been made, what might it be? Could it really be the re-introduction of the old Pernod Fils as speculated (somewhat jokingly) here? Or maybe a partial move in that direction, by removing artificial colours? It's impossible to know exactly what Pernod will do, but the next few months will be interesting, and real absinthe lovers will be keenly following these developments.

Of course, if Pernod does go all the way to its historical 19th century recipe book, that will be almost universally welcomed. In that case, within just two years, one infamous artificially coloured absinthe (Le Tourment Vert) will have started to disappear from US shelves and bars, and another artificially coloured absinthe will be completely replaced. The US market will still have another dozen or more artificially coloured absinthes, while globally some countries are dominated by such products. Will the demise of Le Tourment Vert and the re-formulation of Pernod persuade others to up their game? It could do, and it should do. And if one more of the big players in the category drops artificial colours, it could help the framing of any future legal definition of absinthe. Maybe other countries could even move towards the uniquely high standards of Switzerland (absinthe must be distilled and cannot be artificially coloured).

It's too early to take this promised redevelopment as a Christmas present for the absinthe category, but it certainly looks encouraging!

Monday, 31 October 2011

10 things you didn't know about Absinthe: Number 1


I introduced this series in the first article I published (Number 10). Knowing that some readers in the future will start the series with this post, I will repeat that introduction now.

As someone involved in trying to create more interest in high quality absinthes, I am well aware that there has been - and continues to be - a lot of misinformation about absinthe. So the three most important things I can do to rectify that are .... "Education .... education .... and more education."

I am also aware that education isn't always fun, so I try to lighten up my efforts to educate with my own particular sense of humour. English humour? Yes, albeit not directly in the style of Monty Python.

I can also be quite verbose (see some of my other posts for proof of that), so in an attempt to keep it simple, I am going to present over the next 10 days my short list of things you didn't know about absinthe. Some of my better-informed readers will no doubt say "I already knew that," so to them I apologise in advance. A headline saying "10 things you might not have known about absinthe, but maybe some of you do" would not be so punchy!


And so to ..

NUMBER ONE:

ABSINTHE WILL NOT HELP YOU SEE GREEN FAIRIES, AND IS NO MORE LIKELY TO CAUSE ANY EFFECTS THAN ANY OTHER STRONG SPIRIT. WHILE THERE IS A NATURALLY OCCURRING SUBSTANCE IN ABSINTHE CALLED THUJONE AND WHILE THIS CAN HAVE “EFFECTS,” YOU’D HAVE TO DRINK SO MANY BOTTLES OF ABSINTHE TO GET THEM, YOU’D DIE OF ALCOHOL POISONING LONG BEFOREHAND.

Time and time again, it is obvious that many of those starting their absinthe journey expect to get much more than the normal effect of alcohol from absinthe. As I write this, someone has just posted on Twitter:

i wanna try absinthe that drink that makes u hallucinate lol

while over the last day or so, I have read the following on the La Clandestine page on Facebook:

what's the most powerful Absinthe still being sold int he world?

Now, again, what absinthe has the most consciousness rattling bank fir my quid?

Day in, day out, I read similar posts, or, worse still, see similar statements on websites and blogs. There are still some absinthe makers who insist on touting their products as having the maximum thujone, as if that were a relevant point. In the past, I might have expected to read such claims from Eastern European absinthe makers, so it is disappointing to read it from supposedly reputable French companies.

I'll say it again:

ABSINTHE WILL NOT HELP YOU SEE GREEN FAIRIES, AND IS NO MORE LIKELY TO CAUSE ANY EFFECTS THAN ANY OTHER STRONG SPIRIT. WHILE THERE IS A NATURALLY OCCURRING SUBSTANCE IN ABSINTHE CALLED THUJONE AND WHILE THIS CAN HAVE “EFFECTS,” YOU’D HAVE TO DRINK SO MANY BOTTLES OF ABSINTHE TO GET THEM, YOU’D DIE OF ALCOHOL POISONING LONG BEFOREHAND.

For anyone who wants to read the science on this, see thujone.info. I've tried myself to see if thujone can make a difference. In the interests of science, I have drunk absinthe with less than 1 part per million, and one with over 300 parts per million. Almost 10 times the EU limit. And the difference in the "absinthe effect?" None. Nada. Rien de tout. Gar nichts. Niente.

When I talk publicly about absinthe, I try to make my talks interactive. So I ask the following:

Is there anyone here who has seen the green fairies as a result of drinking absinthe?

Or anyone who has heard about the fairies and has been disappointed not to see any?

And the near universal answers to these questions are NO and YES.

Sadly, it seeems that some of those starting to drink absinthe may have been influenced by unscrupulous online merchants. Becase of what they read online, they try absinthe, are disappointed by the lack of effects and never drink absinthe again. They may never have the opportunity to enjoy an absinthe just for its taste.

Maybe some are influenced by famous absinthe paintings, like the one at the top of this article or like this one:

Nice paintings, but these are not really saying the 19th century painters saw hallucinations when drinking absinthe. Consider this much more down-to-earth painting which could also be considered to show an "absinthe effect:"

Of course, drinkers who enjoy absinthe responsibly will not end up looking like Degas's drinker!

So, just one more time:

ABSINTHE WILL NOT HELP YOU SEE GREEN FAIRIES, AND IS NO MORE LIKELY TO CAUSE ANY EFFECTS THAN ANY OTHER STRONG SPIRIT. WHILE THERE IS A NATURALLY OCCURRING SUBSTANCE IN ABSINTHE CALLED THUJONE AND WHILE THIS CAN HAVE “EFFECTS,” YOU’D HAVE TO DRINK SO MANY BOTTLES OF ABSINTHE TO GET THEM, YOU’D DIE OF ALCOHOL POISONING LONG BEFOREHAND.

Sometimes, I feel that this is a "boring" message for those starting their absinthe journey. But I'd rather tell the truth. Actually if drinkers could focus on the good ... no, the great things about absinthe: its taste, what it can do for cocktails, the sense of drinking part of history, enjoyment of the absinthe drinking ritual (no burning, please), then they would be discovering something much better than any so-called but non-existent effect.

To all my readers who can enjoy absinthe for the right reasons, Santé!

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For Part 2 of 10 things you didn't know about absinthe (How and where absinthe originated), click here.

For Part 3 of 10 things you didn't know about absinthe (Why have women been so important in the history of absinthe), click here.

For Part 4 of 10 things you didn't know about absinthe (Clear absinthe was made and sold before Green absinthe), click here.

For Part 5 of 10 things you didn't know about absinthe (How artificial colours are not needed in absinthe), click here.

For Part 6 of 10 things you didn't know about absinthe (How Absinthe boomed, died and was re-born, helped by a series of accidents), click here.

For Part 7 of 10 things you didn't know about absinthe (How even the French called their best absinthes "Absinthe Suisse" during the 19th century), click here.

For Part 8 of 10 things you don't know about absinthe (What happened when absinthe was banned, and how the Swiss bypassed that ban), click here.

For Part 9 of 10 things you didn't know about absinthe (The accident that led to full European re-legalisation of absinthe), click here.

For Part 10 of 10 things you didn't know about absinthe (The truth about the so-called Burning Ritual), click here.

Saturday, 29 October 2011

10 things you didn't know about Absinthe: Number 2



Drinks originate for different reasons.

The first sparkling wine was probably a mistake, arising from secondary fermentation of wine. Brandy was created as a way of concentrating wine to make it cheaper to ship (just like concentrated fruit juice). And Scotch? Well, maybe it was just cold in Scotland and they wanted something to warm them up!

Wormwood has a long history as a medicinal product, starting with Lucretius in the century before Jesus:

"And as physicians when they seek to give
A draught of bitter wormwood to a child,
First smearing along the edge that rims the cup
The liquid sweets of honey, golden-hued."

There are further medicinal references to wormwood and to absinthe (also the French for the wormwood plant), so it is hardly surprising that the first uses of the drink absinthe as we now know it were of a medicinal nature. While the Henriods were probably the creators of the drink we know as absinthe, it was the legendary Dr. Ordinaire who apparently sold it to the villagers as he rode round. And then it became even more popular when it was used for its medicinal benefits for the French soldiers in Algiers in the 1830's and 1840's.

The therapeutic nature of the drink with its clear origins in Switzerland in the late 18th century seem to be very much at odds with the claims of Pernod to be the "creator of absinthe in 1805." Brian Robinson has already blogged about this and has asked Pernod to respond, but to no avail.

It seems to me that Pernod may be capitalising on an earlier book written by Marie-Claude Delahaye. While that book's title may previously have helped Pernod to justify their claim to be the creator of absinthe, her latest book, published in 2010, (L'Absinthe de Pontarlier au Val-de-Travers d'Hier a Aujourdh'hui) makes it clear that Pernod was NOT the creator of absinthe in 1805. Pages 228 - 233 give the following chronology:

1. Pre-1798: Major Dubied purchases a recipe for absinthe from the Henriod family.
2. 1798: First absinthe distillery established in Couvet, Switzerland by Major Dubied with help from Henri-Louis Pernod.
3. Next (no year given): Henri-Louis Pernod sets up his own absinthe distillery, also in Couvet.
4. 1805: Henri-Louis Pernod finally sets up his own French distillery in Pontarlier.

As Brian Robinson reported in his blog, Pernod's own promotional literature of 1896 gets the facts straight (with just a year's change):

"1797. It was at that time the first absinthe factory was built. The establishment was created under extremely modest conditions, even for Couvet."

while an early Pernod absinthe website (now taken down but still available via The Wayback When Machine archive) repeated the information about Couvet:

I'd welcome a response from Pernod as to why they choose not to believe their own company's promotional literature of 1896 and why they have now decided their earlier website needed to be taken down.

In the meantime, this fact seems clear to me ...

NUMBER TWO:

ABSINTHE ORIGINATED AS A MEDICINAL DRINK IN THE SECOND HALF OF THE 18TH CENTURY IN THE VAL-DE-TRAVERS, SWITZERLAND AND THE FIRST ABSINTHE DISTILLERY WAS ESTABLISHED IN COUVET, SWITZERLAND IN 1797 (OR MAYBE 1798).


And absinthe historians will be delighted to know that Jacques Kaeslin and Michel Kreis have just published a new book: "L’absinthe au Val-de-Travers, les Origines et les inconnu(e)s." I understand that this book will go back a few more years into absinthe pre-history and I hope to review that here soon!

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For Part 3 of 10 things you didn't know about absinthe (Why have women been so important in the history of absinthe), click here.

For Part 4 of 10 things you didn't know about absinthe (Clear absinthe was made and sold before Green absinthe), click here.

For Part 5 of 10 things you didn't know about absinthe (How artificial colours are not needed in absinthe), click here.

For Part 6 of 10 things you didn't know about absinthe (How Absinthe boomed, died and was re-born, helped by a series of accidents), click here.

For Part 7 of 10 things you didn't know about absinthe (How even the French called their best absinthes "Absinthe Suisse" during the 19th century), click here.

For Part 8 of 10 things you don't know about absinthe (What happened when absinthe was banned, and how the Swiss bypassed that ban), click here.

For Part 9 of 10 things you didn't know about absinthe (The accident that led to full European re-legalisation of absinthe), click here.

For Part 10 of 10 things you didn't know about absinthe (The truth about the so-called Burning Ritual), click here.

Friday, 28 October 2011

10 things you didn't know about Absinthe: Number 3

I have written before about ladies and absinthe, even though that article was slightly tongue in cheek.

Women have in fact played a significant part in the development of absinthe, just as they have in the world of champagne. Champagne boasts Lily Bollinger, also famous for this quote:

"I drink it when I’m happy and when I’m sad. Sometimes I drink it when I’m alone. When I have company I consider it obligatory. I trifle with it if I’m not hungry and drink it when I am. Otherwise, I never touch it—unless I’m thirsty."

And Veuve (Widow) Clicquot is probably even more famous. In fact she became a widow in 1805, the very year that Pernod was established in France (having previously been involved in absinthe distilleries in Switzerland).

Prior to 1805, there were three famous Swiss women involved in the very first production of absinthe, even if such production was on a somewhat smaller scale.

Mère Henriod and her two daughters are generally credited to have been involved with the very first absinthe recipes that were then sold to Major Dubied who created the world's very first commercial absinthe distillery in Couvet, Switzerland in 1797.

113 years later, after absinthe was banned in Switzerland, several famous absinthe ladies came to the rescue, and Duvallon's blog refers to them in detail. La Malotte, la Calote, la Marta and Charlotte Vaucher (creator of the La Clandestine recipe) are amongst the most famous ladies who did much to keep absinthe alive, during the time it was officially banned. The Charlotte Vaucher story is detailed here, with some fascinating details remembered by her family.

Coming right up to date, there are still some famous ladies involved in absinthe. I am fortunate to know Karine Bugnon


the multi-tasking wife of Claude-Alain, and very much involved in the production of his absinthes. Gaudentia Persoz is also well-known in the Val-de-Travers.

Heading over to the USA, Cheryl Lins' Delaware Phoenix absinthes are highly regarded, and there may be more women waiting to follow where she has led (Esprit Vert, anyone?).

And in France, of course, Marie-Claude Delahaye is probably the most famous absinthe historian of all.

SO, NUMBER THREE

WOMEN HAVE PLAYED KEY ROLES IN THE DEVELOPMENT OF ABSINTHE. MERE HENRIOD AND/OR HER TWO DAUGHTERS ARE GENERALLY RECOGNISED TO HAVE MADE THE FIRST DRINK WE WOULD RECOGNISE AS ABSINTHE, SEVERAL WOMEN ABSINTHE “MOONSHINERS” IN SWITZERLAND KEPT THE ABSINTHE FLAME ALIVE, AND THEY ARE SUCCEEDED BY MORE WOMEN IN SWITZERLAND AND USA TODAY.

Why are women so key in the history of absinthe? Intially it could have been the nature of the product they first made: a medicinal cure-all, good for curing gout but also for menstrual pains. And today? Maybe the noses and palates of women can work with and blend all those floral and herbal aromas and tastes much better than many men. In any case, santé to all those women, past, present and future, who have been so important in making absinthe what it is!

And a special santé to the ultimate absinthe lady herself, of course ... La Fée Verte!

For Part 4 of 10 things you didn't know about absinthe (Clear absinthe was made and sold before Green absinthe), click here.

For Part 5 of 10 things you didn't know about absinthe (How artificial colours are not needed in absinthe), click here.

For Part 6 of 10 things you didn't know about absinthe (How Absinthe boomed, died and was re-born, helped by a series of accidents), click here.

For Part 7 of 10 things you didn't know about absinthe (How even the French called their best absinthes "Absinthe Suisse" during the 19th century), click here.

For Part 8 of 10 things you don't know about absinthe (What happened when absinthe was banned, and how the Swiss bypassed that ban), click here.

For Part 9 of 10 things you didn't know about absinthe (The accident that led to full European re-legalisation of absinthe), click here.

For Part 10 of 10 things you didn't know about absinthe (The truth about the so-called Burning Ritual), click here.

Thursday, 27 October 2011

10 things you didn't know about Absinthe: Number 4

What came first? The chicken or the egg? A perennial puzzle which sometimes gets the answer it probably deserves.

So here's another question? What was created first, and what became a popular drink first? Wine or champagne? Easy: Champagne is a sparkling wine produced by inducing the in-bottle secondary fermentation of the wine to effect carbonation (Wikipedia), so evidently wine existed first.

The next question: what was created first, and what was probably sold first? Clear or "blanche" absinthe, or green or "verte" absinthe?

For those who know a little about making absinthe, the answer is indeed "clear." When absinthe is made, it always come out of the still as a clear drink. It only becomes green after a secondary process of "dunking a tea bag" of herbs in the distillate, releasing chlorophyll into the absinthe.

As wine had to exist before champagne could exist, so it is evident that clear absinthe had to exist before green absinthe could exist. In the case of wine and champagne, wine existed for hundreds, indeed thousands of years before champagne. The time between the first clear absinthe and the first green absinthe was definitely much less than that, maybe only a few years or a decade or so.

NUMBER FOUR:

IT IS PROBABLE THAT CLEAR OR “BLANCHE” ABSINTHE WAS MADE AND SOLD BEFORE ANY “VERTE” ABSINTHE (IN THE SAME WAY THAT WINE PROBABLY PRECEDED CHAMPAGNE).

18th century documentation doesn't provide final evidence, but I know that at least one major absinthe historian agrees with this.

Of course, being first historically doesn't mean anything beyond that chronological fact. The green fairy remains "green," and even the Swiss who are more famous for their clear absinthes call her "green." What it does suggest, however, is that when the Swiss moonshiners produced clear absinthe during the time it was banned, they were not missing out the secondary colouring step. They were, in fact, going back to their roots and going back to the very first style of absinthe ever made.


For Part 5 of 10 things you didn't know about absinthe (How artificial colours are not needed in absinthe), click here.

For Part 6 of 10 things you didn't know about absinthe (How Absinthe boomed, died and was re-born, helped by a series of accidents), click here.

For Part 7 of 10 things you didn't know about absinthe (How even the French called their best absinthes "Absinthe Suisse" during the 19th century), click here.

For Part 8 of 10 things you don't know about absinthe (What happened when absinthe was banned, and how the Swiss bypassed that ban), click here.

For Part 9 of 10 things you didn't know about absinthe (The accident that led to full European re-legalisation of absinthe), click here.

For Part 10 of 10 things you didn't know about absinthe (The truth about the so-called Burning Ritual), click here.

Wednesday, 26 October 2011

10 things you didn't know about Absinthe: Number 5


Some people are sad to read that Van Gogh did not cut off his ear because of his so-called "absinthe habit." In fact, it seems much more likely that Van Gogh's mental state was affected because he was constantly ingesting the noxious fumes from his paint palette.

Fortunately paints are not as noxious as they were in the 19th century. Unfortunately there are some absinthes moving in the other direction by adding artificial colours to their recipes, where previously there were none. Several examples of this are listed in a previous article here. This is such an important issue, however, that I make no apology in including it again in this series.

NUMBER FIVE:

THERE IS NO NEED TO PRODUCE ABSINTHE WITH ARTIFICIAL COLOURING. ABSINTHES WITH ARTIFICIAL COLOURING IN LATE 19TH CENTURY FRANCE WERE RECOGNISED AS THE LOWEST QUALITY PRODUCTS, COLOURED GREEN TO SAVE MONEY AND TIME IN THE PRODUCTION PROCESS. CALLING “ARTIFICIALLY COLOURED ABSINTHES” GREEN ABSINTHES IS LIKE SAYING IT’S OK TO ADD RED COLOURING TO WHITE WINE AND THEN CALLING THAT RED WINE!

Sadly one famous absinthe that was sold throughout most of the 19th century now contains artificial colours, where previously it did not. Other absinthes that are widely available in the USA and elsewhere boast about using 19th century recipes, while their back labels list the inclusion of very modern additives such as FD&C Yellow #5 and Blue #1. My earlier post details the issues with using such additives, so rather than repeating that here I will merely state that such additives are primarily used to cheapen the product cost, cutting out one step of the manufacturing process and producing a much less complex absinthe. Which may cost the consumer just as much as a properly made, naturally coloured absinthe. Would you pay gourmet steak prices for a fast food burger?

Since I am in involved in the promotion of absinthe, it is not appropriate for me to list the competitor brands that rely on artificial colourings here. So instead I am going to work on a list of absinthes that do not include artificial colourings as a future blog article. A quick list follows; please add in the comments any absinthes I have left out that should also be included.

A LIST OF UNCOLOURED OR NATURALLY COLOURED ABSINTHES: WORK IN PROGRESS (Add any missing in the comments below)

La Clandestine, Angélique, Butterfly and all others produced by Artemisia, Switzerland.
Kubler and all other absinthes produced in the Val-de-Travers, Switzerland.
Mansinthe, Duplais, and all other absinthes produced by Matter, Switzerland.
All other Swiss absinthes.
Vieux Pontarlier, Maison Fontaine, Tenneyson and all other absinthes produced at Emile Pernot, France.
Lucid, Jade and Blanchette, Combier, France.
Francois Guy.
Perroquet, Désirée and all other absinthes produced for Vert d'Absinthe, Paris.
Enigma.
St. George, Sirene, Vieux Carré, Marteau, Pacifique, Meadow of Love, Walton Waters, Ridge, Germain Robin, Leopold, Sorciere, Edward 111, and most other absinthes made in the USA.
Taboo from Canada
St. Antoine and other absinthes produced by Zufanek, Czech Republic.
Obsello from Spain.
The XS absinthes produced for La Fée.

And others to be added in the comments below. Apologies for any omissions that will be added above and to the future article as soon as I can do so.

For Part 6 of 10 things you didn't know about absinthe (How Absinthe boomed, died and was re-born, helped by a series of accidents), click here.

For Part 7 of 10 things you didn't know about absinthe (How even the French called their best absinthes "Absinthe Suisse" during the 19th century), click here.

For Part 8 of 10 things you don't know about absinthe (What happened when absinthe was banned, and how the Swiss bypassed that ban), click here.

For Part 9 of 10 things you didn't know about absinthe (The accident that led to full European re-legalisation of absinthe), click here.

For Part 10 of 10 things you didn't know about absinthe (The truth about the so-called Burning Ritual), click here.